front cover of Brazilian Popular Music and Citizenship
Brazilian Popular Music and Citizenship
Idelber Avelar and Christopher Dunn, eds.
Duke University Press, 2011
Covering more than one hundred years of history, this multidisciplinary collection of essays explores the vital connections between popular music and citizenship in Brazil. While popular music has served as an effective resource for communities to stake claims to political, social, and cultural rights in Brazil, it has also been appropriated by the state in its efforts to manage and control a socially, racially, and geographically diverse nation. The question of citizenship has also been a recurrent theme in the work of many of Brazil’s most important musicians. These essays explore popular music in relation to national identity, social class, racial formations, community organizing, political protest, and emergent forms of distribution and consumption. Contributors examine the cultural politics of samba in the 1930s, the trajectory of middle-class musical sensibility associated with Música Popular Brasileira (MPB), rock and re-democratization in the 1980s, music and black identity in Bahia, hip hop and community organizing in São Paulo, and the repression of baile funk in Rio in the 1990s. Among other topics, they consider the use of music by the Landless Workers’ Movement, the performance of identity by Japanese Brazilian musicians, the mangue beat movement of Recife, and the emergence of new regional styles, such as lambadão and tecnobrega, that circulate outside of conventional distribution channels. Taken together, the essays reveal the important connections between citizenship, national belonging, and Brazilian popular music.

Contributors. Idelber Avelar, Christopher Dunn, João Freire Filho, Goli Guerreiro, Micael Herschmann, Ari Lima, Aaron Lorenz, Shanna Lorenz, Angélica Madeira, Malcolm K. McNee, Frederick Moehn, Flávio Oliveira, Adalberto Paranhos, Derek Pardue, Marco Aurélio Paz Tella, Osmundo Pinho, Carlos Sandroni, Daniel Sharp, Hermano Vianna, Wivian Weller

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front cover of First World Third Class and Other Tales of the Global Mix
First World Third Class and Other Tales of the Global Mix
By Regina Rheda
University of Texas Press, 2005

Regina Rheda is a contemporary award-winning Brazilian writer whose original voice and style have won her many admirers. First World Third Class and Other Tales of the Global Mix presents some of her finest and most representative work to an English-speaking readership. Stories from the Copan Building consists of eight tales set in a famous residential building in São Paulo. The stories, like the apartment complex, are a microcosm of modern-day urban Brazil. They are witty, consistently caustic, and never predictable.

Also in this volume is the poignant and often hilarious novel First World Third Class. It depicts young middle-class professionals and artists who, as opportunities in Brazil diminished, opted to leave their country, even if it meant taking menial jobs abroad. At the center of the narrative is Rita, a thirty-year-old aspiring filmmaker who migrates to England, and then Italy. She looks for work and love in all the wrong places, moving from city to city and from bed to bed.

The last three stories in this collection also happen to be among the author's most recent. "The Enchanted Princess" is an ironic title for a postfeminist tale of a South American woman being wooed to marry an old-world gentleman who promises to take care of her every need. "The Sanctuary" concerns the living conditions of immigrant workers and farm animals. Equally piquant in nature, "The Front" deals with ecology, labor environments, and gender politics.

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front cover of The Wintu and Their Neighbors
The Wintu and Their Neighbors
A Very Small World-System in Northern California
Christopher Chase-Dunn
University of Arizona Press, 1998
On the cutting edge of world-systems theory comes The Wintu and Their Neighbors, the first case study to compare and contrast systematically an indigenous Native American society with the modern world at large. Using an interdisciplinary approach that combines sociology, anthropology, political science, geography, and history, Christopher Chase-Dunn and Kelly M. Mann have scoured the archaeological record of the Wintu, an aboriginal people without agriculture, metallurgy, or class structure who lived in the wooded valleys and hills of northern California. By studying the household composition, kinship, and trade relations of the Wintu, they call into question some of the basic assumptions of prior sociological theory and analysis.

Chase-Dunn and Mann argue that Immanuel Wallerstein's world-systems perspective, originally applied only to the study of modern capitalistic societies, can also be applied to the study of the social, economic, and political relationships in small stateless societies. They contend that, despite the fact that the Wintu appear on the surface to have been a household-based society, this indigenous group was in fact involved in a myriad of networks of interaction, which resulted in intermarriage and which extended for many miles around the region. These networks, which were not based on the economic dominance of one society over another—a concept fundamental to Wallerstein's world-systems theory—led to the eventual expansion of the Wintu as a cultural group.

Thus, despite the fact that the Wintu did not behave like a modern society—lacking wealth accumulation, class distinctions, and cultural dominance—Chase-Dunn and Mann insist that the Wintu were involved in a world-system and argue, therefore, that the concept of the "minisystem" should be discarded. They urge other scholars to employ this comparative world-systems perspective in their research on stateless societies.
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